In The End of Art, Donald Kuspit argues that art is over because it has lost its aesthetic import. Art has been replaced by 'postart', a term invented by Alan Kaprow, as a new visual category that elevates the banal over the enigmatic, the scatological over the sacred, cleverness over creativity. Tracing the demise of aesthetic experience to the works and theory of Marcel Ducha...(展开全部)

Over a decade ago, Arthur Danto announced that art ended in the sixties. Ever since this declaration, he has been at the forefront of a radical critique of the nature of art in our time. "After the End of Art" presents Danto's first full-scale reformulation of his original insight, showing how, with the eclipse of abstract expressionism, art has deviated irrevocably from the na...(展开全部)

Over a decade ago, Arthur Danto announced that art ended in the sixties. Ever since this declaration, he has been at the forefront of a radical critique of the nature of art in our time. After the End of Art presents Danto’s first full-scale reformulation of his original insight, showing how, with the eclipse of abstract expressionism, art has deviated irrevocably from the narr...(展开全部)

乔纳森·弗兰岑（Jonathan Franzen） 美国小说家、随笔作家。 1959年生于伊利诺伊州。1996年在《哈泼氏》杂志发表长篇随笔《偶尔做梦》，从此受到广泛关注。迄今为止，出版有小说《纠正》《自由》《纯洁》，回忆录《不舒适地带：个人史》，以及随笔集《如何独处》《地球尽头的尽头》等。凭借《纠正》获得普利策奖提名和美国国家图书奖。

In The End of the End of the Earth, which gathers essays and speeches written mostly in the past five years, Jonathan Franzen returns with renewed vigor to the themes―both human and literary―that have long preoccupied him. Whether exploring his complex relationship with his uncle, recounting his young adulthood in New York, or offering an illuminating look at the global seabird...(展开全部)

Reissued on the tenth anniversary of its publication, this classic work on our environmental crisis features a new introduction by the author, reviewing both the progress and ground lost in the fight to save the earth. This impassioned plea for radical and life-renewing change is today still considered a groundbreaking work in environmental studies. McKibben's argument that th...(展开全部)

In a groundbreaking approach to avant-garde Chinese art, the 1999 exhibition “Transience: Chinese Experimental Art at the End of the Twentieth Century” established a historical framework for current artistic production in China. Organized by the David and Alfred Smart Museum of Art at the University of Chicago, the show and its catalog highlighted the diverse responses of twent...(展开全部)

莉迪亚•戴维斯（Lydia Davis） 美国当代著名小说家、翻译家。她的小说以语言精悍、结构新颖、洞察人性在美国文学界独树一帜。2005 年当选为美国艺术科学院院士，2013 荣获布克国际奖，长期致力于法国经典文学的译介工作，现为纽约州立阿伯尼大学创意写作教授。

莉迪亚•戴维斯（Lydia Davis） 美国当代著名小说家、翻译家。她的小说以语言精悍、结构新颖、洞察人性在美国文学界独树一帜。2005 年当选为美国艺术科学院院士，2013 荣获布克国际奖，长期致力于法国经典文学的译介工作，现为纽约州立阿伯尼大学创意写作教授。

As young Jake Horner’s mind became an increasingly paralyzing cobweb of dark thoughts, he turned for help to an extraordinary doctor―part saint, part evil-genius, a weird combination of faith healer, magician, and devil. And in so doing Jake found himself following a drastic prescription that was to draw him into a strange, compulsive relationship. It is around the startling re...(展开全部)